广西南宁粉釉长颈瓶免费鉴定交易征集

广西南宁粉釉长颈瓶免费鉴定交易征集
故宫收藏的这件蒜头口的小梅瓶，就是一件淡粉红釉的瓶子，它也是胭脂红釉，但是呈色非常非常的淡，色泽浅淡如桃花一样。传世极为，在故宫出版的图录中，认为这件东西仅有一件，实际上并不是的，在英国的大维德基金会还有类似藏品收藏。总之存世极少，说明当时可能是偶然制作的。

我们说乾隆时期这种胭脂红釉经典的作品，当然就是这种菊瓣盘，这种多色菊瓣盘是雍正时创烧的一个品种，囊括了各种高低温中的经典釉色，其中就有胭脂红釉，极为漂亮。

乾隆时期胭脂红釉仍然普遍存在，但是乾隆时期的胭脂红釉色泽明显变深，偏红，就不如雍正时期的那么粉嫩可爱了。另外还有一个特点是乾隆的胭脂红釉的釉面往往不是那么平，有时候有点波浪釉或者橘皮纹。而且器物的底上通常又涂了一层松石绿釉，这也是乾隆时期胭脂红釉的一个特点。

胭脂红釉中浅的那种淡粉色釉的品种，极少被用来作为粉彩和珐琅彩的地色来使用，一旦出现就非常惊艳，比如近四月份即将在香港苏富比拍卖的一件康熙时期的这个珐琅彩的碗。就是用淡粉色的胭脂红釉做地彩，非常而且，其价值远一般珐琅彩碗。

由于胭脂红釉和珊瑚红釉这些低温色釉受人喜爱，自晚清开始，有了一些仿品。而且仿品的水平比较高，比如下图这件，胭脂红釉的蒜头瓶，也是故宫的藏品，它底下有雍正款，但是它显然不是雍正时期的，这就是民国时期的一件仿品。 我们能看到它的胭脂红釉过于光亮平整，缺乏韵味，底款也写的比较草率，这是民国时期仿雍正时期的胭脂红釉作品。
0028 胭脂红釉观音瓶

成交价
RMB 　18,900,000
HKD 　21,380,090
USD 　2,835,000
EUR 　2,079,000
5120 清雍正 胭脂红釉小碗 （一对）
成交价
RMB 　5,980,000
HKD 　6,842,105
USD 　897,000
EUR 　657,800
本公司征集范围：
服务范围： 古玩鉴定、古董鉴定、艺术品鉴览、艺术品拍卖、销售展览交易
征集范围： 历代瓷器、各朝名家字画、翡翠玉器、
古代钱币：近现代机制币，精美银币，珍惜铜币
陶瓷：历代窑口及各代官窑器，历代瓷器、高古瓷、宋代瓷器、元明清瓷器等
翡翠玉器：明清和田玉，高古玉、明清玉、新玉(以和田玉为主，玉质润、透、白，雕工要好
名家字画：历代名家书画，油画、水粉画、古代字画、近现代字画、古籍善本。The small plum bottle at the mouth of garlic in the Palace Museum is a light pink glaze bottle. It is also a carmine red glaze, but it is very, very light in color, as light as peach blossom. It is very rare to be handed down from generation to generation. In the catalogue published by the Palace Museum, it is believed that there is only one thing, but it is not. There is a similar collection in the Great Wade Foundation in Britain. In short, very few survived, indicating that it might have been made by accident at that time.

我们说乾隆时期这种胭脂红釉经典的作品，当然就是这种菊瓣盘，这种多色菊瓣盘是雍正时创烧的一个品种，囊括了各种高低温中的经典釉色，其中就有胭脂红釉，极为漂亮。
We say that the most classic work of this kind of carmine red glaze in Qianlong period is of course this kind of chrysanthemum valve disc. This multi-color chrysanthemum valve disc is a well-known variety created by Yongzheng. It contains all kinds of classical glazes at high and low temperatures, including carmine red glaze, which is very beautiful.

乾隆时期胭脂红釉仍然普遍存在，但是乾隆时期的胭脂红釉色泽明显变深，偏红，就不如雍正时期的那么粉嫩可爱了。另外还有一个特点是乾隆的胭脂红釉的釉面往往不是那么平，有时候有点波浪釉或者橘皮纹。而且器物的底上通常又涂了一层松石绿釉，这也是乾隆时期胭脂红釉的一个特点。
Carmine red glaze still existed in Qianlong period, but the color of carmine red glaze in Qianlong period was obviously darker and redder, which was not as tender and lovely as that in Yongzheng period. Another feature is that the glaze of Qianlong's carmine red glaze is often not so flat, sometimes a little wavy glaze or orange peel pattern. And the bottom of the objects is usually coated with a layer of turquoise green glaze, which is also a feature of carmine red glaze in the Qianlong period.

胭脂红釉中浅的那种淡粉色釉的品种，极少被用来作为粉彩和珐琅彩的地色来使用，一旦出现就非常惊艳，比如近四月份即将在香港苏富比拍卖的一件康熙时期的这个珐琅彩的碗。就是用淡粉色的胭脂红釉做地彩，非常而且，其价值远一般珐琅彩碗。
The lightest kind of light pink glaze in carmine red glaze is seldom used as a pastel and enamel color. Once it appears, it will be amazing, for example, an enamel bowl of Kangxi period which will be auctioned at Sotheby's in Hong Kong in April. It uses light pink carmine glaze to make ground color. It is very rare and advan

广西南宁粉釉长颈瓶免费鉴定交易征集